|
hat do you get
when you cram five master musicians of divergent styles together
in one band?
In
the case of Avalon Rising, the answer is: Magic
To say they're
the world's foremost practitioners of Celtic/Medieval progressive
rock could be meaningless, given the scanty membership of the genre
- until you factor in just how damn good they are. Hearing them
perform, one is hard-put to say just what kind of music they're
playing - just that it rocks, it screams, it soars, it whispers.
Elements of classical, Celtic folk, French Medieval, psychedelic
jam band and funk interweave, conflict, and finally coalesce into
a stunning, surprising whole. One hears echoes of Loreena McKennit,
Dead Can Dance, the Grateful Dead, Fairport Convention, and the
Pentangle.
They're a motley assemblage. There's the beautiful Flower Princess
on harp (not the harmonica, the big wooden thing with all the strings)
who also plays flute and recorder and sings in a sweet, classically
trained soprano. Then there's the blonde goddess in black velvet,
sensuously bowing a purple, cat-headed 5-string electric violin.
Does life get any better than this? But wait - in front of a stack
of tie-dyed amplifiers, in a bowler hat and John Cippolina t-shirt,
pulling a stream of howling, lyrical, psychedelic riffs from a sparkly
purple Stratocaster, is a genial bearded hobbit-man who sings in
a honeyed tenor. Behind them all sullenly lurk the bassist and drummer,
two candidates for Queer Eye who seem to think they're backing up
James Brown or The Clash.
Avalon Rising's new album, their second, is called Storming
Heaven. Clocking in at a CD-maxing 74 minutes, it includes
just about everything you're likely to hear in their current live
show, with no less than 6 full-out Celtic rock tune-sets wherein
a never-ending assortment of jigs, reels, and other traditional
dance tunes are stuck together end to end and raced through like
a Hummer on a Grand Prix course, knocking bricks off buildings and
smashing statuary along the way. Songs include the lilting Irish
Do You Love An Apple, the mystically psychedelic originals Jack
Daw and Turning In Time, Papa John Phillips' lost masterpiece Dancing
Bear and a handful of traditional British Isles songs.
torming Heaven
1.
The Hexamshire Lass
2. Hunt the Blarney Cat
3. Glasgow Peggy
4. The Chieri
5. Sidhe Set
6. The Lark in the Morning
7. Jack Daw
8. Congress Reel/Red Crow
9. Do You Love An Apple?
10. Turning In Time
11. Musical Pesto Set
12. Dancing Bear
13. Black Joke Set
14. Dulaman
15. Health to the Company |
3:12
4:51
4:31
5:02
4:56
4:55
6:25
2:54
5:26
6:47
6:07
4:21
6:11
5:02
2:53
|
|
Press:
New
Witch magazine
Storming Heaven is the second offering from Bay Area
Celtic rock band Avalon Rising, a group long known for exciting
arrangements of traditional pieces, as well as intense and enthralling
original songs. Fans have been waiting several years for this CD,
and it doesn't disappoint; the production values are splendid, providing
a crisp, complexly layered sound. The song selections are varied,
ranging from instrumentals to some heavily rock-influenced numbers,
such as the album's most likely hit within the Pagan community,
"Jack Daw," a song that includes
lines such as "Jack Daw went to the Maypole/With ribbons for
the Spring/And maidens wrapped around him/As befits the Summer's
King." A common complaint among fans of Celtic rock is that
eventually everything can start to sound the same. Avalon Rising
avoids this problem by taking advantaqe of the unique skills offered
by its members, which include veterans of several other Celtic rock
groups (among them Annwn and Phoenyx). Of particular
note are Kristoph Klover's soaring vocals, Margaret Davis's
harp and flute playing, and Cat Taylor's energetic, skillful
fiddling. This is high-quality musicianship, and better still, it's
high-quality music.
-
Seanan McGuire, New
Witch magazine
* Brand new review from Progressive
Ears!
"...Meet
your new arbiters of cool: Avalon Rising, the Bay Area's finest
Celtic-prog band..."Avalon Rising plays bright, bouncy
Celtic pop -- lotsa tunes about shires and maidens and chimney sweeps
-- with a dark undercurrent of technically precise trickiness, as
though the Jethro Tull dudes had been sneaking into rehearsals...The
chops and the songwriting on the band's latest, Storming Heaven,
are stellar indeed..."
--
Rob Harvila, Music Editor, East Bay Express
"...Bands
like Avalon Rising are few and far between...Storming Heaven is
a jewel, plain and simple..."Wonderful vocals by Margaret
Davis and Kristoph Klover... This is a seriously talented band -
and after 10 years and hundreds if not thousands of shows, they
are a tightly knit group of friends. The interaction is seamless
on every track, leading to a perfect album. And with 15 cuts, you're
getting your money's worth! ...Avalon Rising plays a lot of festivals
and was chosen as the band for the official Lord of the Rings fan
club Oscar party in Hollywood - if you needed any more proof of
how good they are, there you go...one of the year's best! Highly
recommended."
--
Michael Sullivan, Editor-Publisher, Here and There Ezine
"They
are loud, they work hard and they are GOOD!"
They rocked Pantheacon with a 2-hour concert - supreme musicianship
from all, but especially Margaret Davis. She plays flute, recorder,
harp like a demoness, and she sings!! How can a single person have
so many talents!!
--
Richard Man, musician, fan
"Avalon
Rising inject traditional balladry with a churning rhythm section
and a few sprightly touches of good old prog rock to create a sound
that's a mixture of Tubular Bells, Dead Can Dance and that song
Pippin sings in the film version of Return of the King. ... Storming
Heaven is hot off the presses and full of Celtic-jammy vim and vigor."
--
Sara Bir, North Bay Bohemian
|
Bios
Margaret Davis - vocal, harp, flute, recorders
Margaret wishes she'd been born in the twelfth century, where
she would have sung, played the harp, flutes, and recorders...Coincidentally,
that's what she does in Avalon Rising. Brocade is extra, as
are gossamer wings.
Kristoph
Klover - vocals, electric guitar, 6 and 12-string acoustic
guitars, octave mandolin
Kristoph's real name is Bill. Don't ever use it - you've been
warned.
Cat
Taylor - electric violin, vocals, bodhran
Cat likes bags, but they've got to be black. Her stage gear
takes up at least of dozen of them. When she's not busy packing
or unpacking...well frankly, that's about all there's time
for. Call us next week.
Mark
Ungar - vocals, electric bass, mandocello, doumbek
Orphaned at birth by a pair of itinerant Neanderthals, Mark
hibernated through the ensuing ice age until he was revived
in 1973, just in time for the Second Disco Era. His love of
the bass can be traced to a subconscious feeling that, with
its size and heft, it'd make a dandy mammoth whacker.
Scott
Irwin - drums
Scott blah blah blah drums blah blah blah beer blah blah blah
blah would you please speak up? Blah blah blah blah since
he was thirteen. Not valid in some states, tax and license
extra.
|
|